"'There are some things I have to tell you ... They think the ceremonies must be performed exactly as they have been done ... the ceremonies have always been changing ... elements in the world begin to shift ... growth keeps the ceremonies strong ... things which don't shift and grow are dead things'" (Silko 125).
Adaption, as the world changes, you must change with it to survive. In a way, it's like natural selection, if you don't adapt to the surrounding environment and your unique situation, you will fall behind in the fast pace of society.
Culture can be applied to this as well; for all of time, the human race has changed and evolved. If this wasn't true, we would still be living a nomadic life, or even still swinging in trees. Because of the constant adaption, we are able to keep evolving and surviving; it is in human nature to adapt. While those that can't keep up are left behind, never to grow and expand.
Monday, February 11, 2013
Monday, January 28, 2013
Their Stories
"You don't have anything / if you don't have the stories. / Their evil is mighty / but it can't stand up to our stories. / So they try to destroy the stories / let the stories be confused or forgotten." (Silko 2)
This citation is about the stories of Native Americans and their culture. The natives don't have writing, so their oral traditions are very strong. They use these traditions to convey not only stories to learn from, but also their history; their very language is embedded with their stories. Without history and culture, we are essentially nothing but an empty shell, doomed to repeat ourselves.
The poem goes on to say that a certain society (most likely Americans), no matter how powerful they supposedly are, are nowhere near the level culturally and spiritually of the natives. Because of this, that society will try to take away what makes Native Americans strong, and force them to convert their way of life and act "civilized". By doing this, natives lose their identity and will have no choice but to follow society. They destroy their language, which holds their stories, and teach newer generations their lifestyles, causing the Native American traditions to die out.
This citation is about the stories of Native Americans and their culture. The natives don't have writing, so their oral traditions are very strong. They use these traditions to convey not only stories to learn from, but also their history; their very language is embedded with their stories. Without history and culture, we are essentially nothing but an empty shell, doomed to repeat ourselves.
The poem goes on to say that a certain society (most likely Americans), no matter how powerful they supposedly are, are nowhere near the level culturally and spiritually of the natives. Because of this, that society will try to take away what makes Native Americans strong, and force them to convert their way of life and act "civilized". By doing this, natives lose their identity and will have no choice but to follow society. They destroy their language, which holds their stories, and teach newer generations their lifestyles, causing the Native American traditions to die out.
Sunday, January 20, 2013
Creating Something Beautiful
Friday, January 11, 2013
My Writing Style
After reading my past journal entries, I learned that my writing is a direct transcription of my voice. I especially find this in my responses to my personal life in my journal. My style then becomes more sophisticated when I write entries in response to stories or videos. It has come clear to me that unless I am doing creative writing, my voice will usually stand out. "In high school, I have been able to embrace who I am, weirdness and all" (Aug 20). Admittedly, it's hard to read through my journal entries; because I personalized many of my entries, the quality of them isn't very good. In other entries where the prompt was giving an opinion on a certain media, because I need to try to sound more convincing, my writing style is slightly better. "By learning to think divergently, we can become more flexible and open to different possibilities" (Oct 19). It may be from the time difference, but I can see a variation between my response entries.
Analyzing my writing style made me realize that I need to always have great descriptions of people and settings no matter what kind of response I'm writing about. I find that when I'm able to do read-through's, I can edit and add more details to my writing to make it better. When I do a first draft, it's usually very raw and basic, so being able to edit thoroughly helps my work tenfold. "I remember waking up and looking outside and being blinded by the snow in front of our door" (Aug 23). Even from skimming through my writing, I find many different errors and places I can fix a single sentence to improve its quality. I also prefer to type rather than hand write, mostly because I take more time and am able to put more thought into my writing. Yet, if I'm able to use that same mindset while hand writing, my journal entries may develop into something I will enjoy looking back on.
This is a picture of a raw diamond imbedded in a rock. This represents
my writing in that after chipping away the unneeded and access pieces
and polishing what I have, I'll end up with something beautiful.
What usually inspires me to write is the setting, whether it be the weather/nature or the season. Another thing that can inspire me is the media, like shows/movies, videos, books, music, etc. "An ocean melody / Soothes your pain. / The shifting colors, / You forget time. / A motion of fluidity / Eases your thoughts" (Nov 16). I enjoy writing poems and short stories (in a creative-esque way) and what will inspire me to write them are a varied arrange of things, but the most reoccurring thing is nature and the season (holiday seasons included). In my free write entries, I typically jot down whatever is in my mind at that particular moment; anything from something exciting that happened or will happen, things that are causing me stress, etc. In some cases, little things that I think are cute or pretty or things that make me laugh might be my muse to write. I remember at one time writing a cute little poem about hot chocolate, with a song about it stuck in my head. Many times, my friends will inspire me to write, they may give me an idea that I have to write out, or just being around them will motivate me.
In relation to my inspiration from nature, I found a picture representing each season with quotes from famous writers adding a nice touch to it.
And here's some inspirational music for you:
Thursday, September 27, 2012
Snapshot
My childhood had been filled with cartoons. I remember as a kid, waking up early on Saturday mornings just to watch my favorite shows. I also had always hurried home after school ended in elementary school so I wouldn't miss the shows that started at 3pm. I would go to the KidsWB, Cartoon Network, and other channels for kids websites to play the online games. I also had to buy the toys from the shows that I loved to watch.
As the picture above shows, I love doing any type of art. I have made different types of crafts, used pastels, paints, crayons and colored pencils, graphite pencils and many other art utensils to make a variety of projects. In middle school alone, I had 6 art classes in total and by the end of high school, I'll have 3. I describe myself as a creative person and I can't go through a day without even making a small doodle, whether its in my notebook or on a desk. Presently, I'm hoping to continue my art career in college.
I hope I will be able to travel in my future, and have my passport covered in stamps like the picture above. I have lived in the same house all my life and I feel like I need something different. A lot of the colleges I'm currently looking into are out of state and I'm very interested in studying abroad. I'm also very jealous of my sister, who travels at least twice a year and has been to about 5 different countries (which will most definitely increase in the future and she's planning to go to Spain and Tanzania in November). All the new countries that I'm hoping go to will be filled with new experiences and fun.
Thursday, September 20, 2012
The Reading Promise
Alice Ozma
from The Reading Promise: My Father and the Books We Shared, 2011
It started on a train. I'm sure of it. The 3,218-night reading marathon that my father and I call The Streak started on a train to Boston, when I was in third grade. We were reading L Frank Baum's The Tin Woodman of Oz ... a few hours into our trip. The woman across the aisle turned to us and asked why my father was reading to me on a train. We simply told her that this was what we always did - he had been reading to me every night for as long as I could remember ... Why not read? Why not always read?
But her surprise made us think. If we were going to read on vacation anyway, how hard could it be to make reading every night an official goal? I suggested to my father that we aim for one hundred consecutive nights of reading, and he agreed to the challenge. This is how I remember it.
If you ask my father, though, ... he'll paint an entirely different picture.
"Lovie," he tells me, as I patiently endure his version of the story, "you're cracked in the head. Do you want to know what really happened or are you just going to write down whatever thing comes to mind?"
... "For some time, I'd been planning to suggest to you that we do a streak, because then at least you'd be a little older when we stopped reading together. I brought it up, and honest to Pete, I thought you were going to say we should read a hundred nights in a row!" He laughs as he recalls this. I don't laugh because I think I did suggest a hundred nights in a row. Initially.
"No," he continues, "Right away you said, 'Let's do one thousand!' And I had to pretend to be enthusiastic, of course, but I wasn't too optimistic. One thousand nights is a long time."
I have to stop him there. None of this sounds right to me. First I remind him that our goal had been one hundred nights. When we reached that goal, however, and celebrated with a pancake breakfast at the local greasy spoon, we decided to set a new goal. We skipped the discussions of lower options, from two hundred to five hundred, and ultimately decided to try for one thousand nights. I tell him this, but he shakes his head. When I try to explain that The Streak actually began on the train he cuts me off.
... "I remember that part clearly," he continues, "because I never miss an opportunity to brag about what a good father I am. We were on the train to Boston, going up to see the sights for a weekend, and the woman next to us said how sweet it was that I was reading to you. I told her right away that we were on a streak, forty nights in! I was pleased with myself, ... pleased as a peacock to have made it forty nights."
We both laugh this time, but I am laughing partly because I know he is wrong. The train was the first night. Obviously.
The thing is, no matter how many times we are asked, we can never get this story straight. We agree on a few of the details, but I was very young and he is getting older. Some memories blend together with others, and our individual versions of how The Streak started change so often, it is nearly impossible to come to any sort of agreement. We can't even remember when we started calling it The Streak, or whose idea it was to do so.
... "Problem with my remembrances, though," he admits, "is that they're always so goofed up."
I sit for a minute, comparing my notes on both versions of the story, seeing what they have in common.
... I'm not sure if this is a saying I'm expected to know or a literal plan, but it's apparent that the conversation is over. I didn't think we'd come to an agreement, anyway.
But this is how I remember it.
I chose this excerpt from the memoir because the author clearly shows how two people recall events differently, especially as time passes. The author and her father can't come to an agreement of how their reading streak began, though they both remember the events (with their own personal touch), the order of those events are different.
from The Reading Promise: My Father and the Books We Shared, 2011
It started on a train. I'm sure of it. The 3,218-night reading marathon that my father and I call The Streak started on a train to Boston, when I was in third grade. We were reading L Frank Baum's The Tin Woodman of Oz ... a few hours into our trip. The woman across the aisle turned to us and asked why my father was reading to me on a train. We simply told her that this was what we always did - he had been reading to me every night for as long as I could remember ... Why not read? Why not always read?
But her surprise made us think. If we were going to read on vacation anyway, how hard could it be to make reading every night an official goal? I suggested to my father that we aim for one hundred consecutive nights of reading, and he agreed to the challenge. This is how I remember it.
If you ask my father, though, ... he'll paint an entirely different picture.
"Lovie," he tells me, as I patiently endure his version of the story, "you're cracked in the head. Do you want to know what really happened or are you just going to write down whatever thing comes to mind?"
... "For some time, I'd been planning to suggest to you that we do a streak, because then at least you'd be a little older when we stopped reading together. I brought it up, and honest to Pete, I thought you were going to say we should read a hundred nights in a row!" He laughs as he recalls this. I don't laugh because I think I did suggest a hundred nights in a row. Initially.
"No," he continues, "Right away you said, 'Let's do one thousand!' And I had to pretend to be enthusiastic, of course, but I wasn't too optimistic. One thousand nights is a long time."
I have to stop him there. None of this sounds right to me. First I remind him that our goal had been one hundred nights. When we reached that goal, however, and celebrated with a pancake breakfast at the local greasy spoon, we decided to set a new goal. We skipped the discussions of lower options, from two hundred to five hundred, and ultimately decided to try for one thousand nights. I tell him this, but he shakes his head. When I try to explain that The Streak actually began on the train he cuts me off.
... "I remember that part clearly," he continues, "because I never miss an opportunity to brag about what a good father I am. We were on the train to Boston, going up to see the sights for a weekend, and the woman next to us said how sweet it was that I was reading to you. I told her right away that we were on a streak, forty nights in! I was pleased with myself, ... pleased as a peacock to have made it forty nights."
We both laugh this time, but I am laughing partly because I know he is wrong. The train was the first night. Obviously.
The thing is, no matter how many times we are asked, we can never get this story straight. We agree on a few of the details, but I was very young and he is getting older. Some memories blend together with others, and our individual versions of how The Streak started change so often, it is nearly impossible to come to any sort of agreement. We can't even remember when we started calling it The Streak, or whose idea it was to do so.
... "Problem with my remembrances, though," he admits, "is that they're always so goofed up."
I sit for a minute, comparing my notes on both versions of the story, seeing what they have in common.
... I'm not sure if this is a saying I'm expected to know or a literal plan, but it's apparent that the conversation is over. I didn't think we'd come to an agreement, anyway.
But this is how I remember it.
I chose this excerpt from the memoir because the author clearly shows how two people recall events differently, especially as time passes. The author and her father can't come to an agreement of how their reading streak began, though they both remember the events (with their own personal touch), the order of those events are different.
Wednesday, September 12, 2012
Neverland
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Anne sat in her office, going through her tedious paperwork
that had to be done for the day. Her life was repetitive; she woke up at 6
o'clock sharp every day, left for work at 7, and got right to work at 7:30,
where she stifled through mounds of papers and answered phone calls
till 5 in the afternoon. By the time Anne got home, she was too exhausted to do
a single thing, so she would get in her sweats and relaxed, maybe grabbing a
nice book or watching TV. The life of an adult was boring and Anne needed
something different, something new. Spontaneously, she decided to take the next
day off purely to focus on herself.
The following morning, Anne's alarm went off at her
usual time, but she didn't get out of her comfy bed right away. She lied there,
hugging her pillows and stared at the ceiling, debating what she should do
today, but her mind wondered elsewhere. Anne remembered when she was a child,
how before bed, her mother would tell her stories of Peter Pan, the boy who
never grew up. Then more childhood memories flooded in, ones she never had time
to reminiscence and almost forgot she even had. A particular memory popped in
her head, a place her parent’s had taken her to as a child. They drove about an
hour away from the city to an area of absolute serenity. There were lush fields
of grass and trees as far as the eyes could see and sparkling blue skies. But
in a patch of open field, there was one lone tree. It looked different from the
rest: the trunk was split in two and wrapped around each other, and there was a
single vine that dropped to its side. As
a little girl, she curiously wondered towards it and grabbed the vine. She
started swinging around the tree, pretending she was Peter Pan flying through
the air.
Anne softly giggled to herself by her sudden remembrance,
but then felt a sudden urge to go back to the mystical field. She found herself
dressed and in her car in a matter of minutes. She then headed to her
destination, to the lush fields of her past. After about an hour, Anne made it
to countryside but was a little sadden by the overcast, as she had hoped to see
the beautiful sky again. But then she spotted it, the tree of her childhood. It
seemed exactly the same from what Anne remembered, the same twisted trunk and
the same single vine flowing down its side. Anne walked to the tree and placed
her hand on the wood, feeling a childish flutter in her stomach, an unfamiliar sensation
to her older self. Her hand automatically reached for the vine and she pulled
on it, making sure it would hold her weight. Leaning towards the tree for
balance, Anne jumped as high as she could and started flying.
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